From Sun Gazing
From Sun Gazing
Died: May 12, 2008 (aged 98)
During WWII, Irena, got permission to work in the Warsaw ghetto, as a Plumbing/Sewer specialist. She had an ulterior motive.
Irena smuggled Jewish infants out in the bottom of the tool box she carried. She also carried a burlap sack in the back of her truck, for larger kids.
Irena kept a dog in the back that she trained to bark when the Nazi soldiers let her in and out of the ghetto.
The soldiers, of course, wanted nothing to do with the dog and the barking covered the kids/infants noises.
During her time of doing this, she managed to smuggle out and save 2500 kids/infants.
Irena kept a record of the names of all the kids she had smuggled out, In a glass jar that she buried under a tree in her back yard. After the war, she tried to locate any parents that may have survived and tried to reunite the family. Most had been gassed. Those kids she helped got placed into foster family homes or adopted.
In 2007 Irena was up for the Nobel Peace Prize.
She was not selected.
Al Gore won, for a slide show on Global Warming.
Please share this to honor the sacrifice and courage of this fine human being who gave so much and saved so many.
Found on CommonSensical Ramblings
Irena’s story was portrayed in the Hallmark movie The Courageous Heart of Irena Sendler.
Those are very big shoes to fill, being called the greatest man on Earth, but Narayanan Krishnan fills them to overflowing with a humbleness and sincerity that few of us can match. Why is he called the Greatest Man on Earth? Watch the video and see how just one human being can shed the light of hope and love on those who’ve gone forgotten in a world too self-absorbed to notice. Narayanan is a Soul Bulb of the greatest proportions. May he set an example for all of us to follow. One person can make a tremendous difference!
Beautiful! Thanks to Love and Light.
“A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that 1,100 people went through the station, most of them on their way to work.
Three minutes went by, and a middle aged man noticed there was musician playing. He slowed his pace, and stopped for a few seconds, and then hurried up to meet his schedule.
A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping, and continued to walk.
A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.
The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried, but the kid stopped to look at the violinist. Finally, the mother pushed hard, and the child continued to walk, turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.
In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money, but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.
No one knew this, but the violinist was Joshua Bell, one of the most talented musicians in the world. He had just played one of the most intricate pieces ever written, on a violin worth $3.5 million dollars.
Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston where the seats averaged $100.
This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste, and priorities of people.
The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?
One of the possible conclusions from this experience could be: If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?”
Janelle Monae’s acceptance speech for the Young, Gifted and Black Award at the 2012 BET Awards:
“When I started my music career, I was a maid. I used to clean houses. My mother was a proud janitor. My stepfather, who raised me like his very own, worked at the post office and my father was a trashman. They all wore uniforms and that’s why I stand here today, in my black and white, and I wear my uniform to honor them.
This is a reminder that I have work to do. I have people to uplift. I have people to inspire. And today, I wear my uniform proudly as a Cover Girl. I want to be clear, young girls, I didn’t have to change who I was to become a Cover Girl. I didn’t have to become perfect because I’ve learned throughout my journey that perfection is the enemy of greatness.
Embrace what makes you unique, even if it makes others uncomfortable.” – Janelle Monáe
(Note: This is an inspiration regardless or age, gender or race.)
Thanks Obvious Magazine
2012 was another big year for break-out films in the social change genre. With most of the bases covered for all of the major problems we’re facing, more and more films this year focused on the solutions side of the equation, giving a voice to the uplifting stories of people working to realize their dreams of a thriving, sustainable world.
For the films that focused on the problems-side, it’s no longer enough to advance the well-trodden ideas of the past. It’s a time of creative destruction, where all of our assumptions about the world are no longer taken for granted, giving air to fresh, radical new perspectives and ideas.
While many are quick to still focus on the growing and troubling consolidation of the world’s major powers, it’s critical to not lose sight of the greater narrative unfolding, which resembles the birthing pains of an old order toppling, fighting to hold onto the last vestiges of its power as a new global consciousness shifts us into the next era.
To continue reading and to view the films visit this page at Films for Action.